Carmen Boullosa

Carmen Boullosa (Mexico City, 1954) is one of Mexico’s leading novelists, poets and playwrights. The prolific author, who has had literally scores of books, essays and dissertations written about her work, has been lauded by critics on several continents. “As playful as a mischievous Puck,” says Elena Poniatowska; she has “a heart-stopping command of language,” says Alma Guillermoprieto; “one of the most dazzling of Latin America’s new generation,” according to Publishers Weekly; “Mexico’s best woman writer.”  Roberto Bolaño.

Some of her seventeen novels deal with historical themes – the world of Moctezuma, the early Colonial period in Mexico City, the life of pirates in the 17th Century Caribbean, the era of Cervantes – and some have been translated into Italian, Dutch, German, French, Portuguese, Chinese, and Russian. The most recent translation, published by Deep Vellum, is Texas, The Great Theft, translated by Samantha Schnee.

Her novel Cleopatra Dismounts, (at Grove Press) “lavishly reimagines the life of the legendary Cleopatra of Egypt in a daring intermingling of fantasy and history,” according to one reviewer, and the Washington Post spoke of the book’s “exhilarating” and “incantatory prose” which left the reader “yearning for more of this talented author’s work.”

Boullosa also writes (and prints) art books, mixing image and text, which have been exhibited at the Museo de Arte Moderno de la Ciudad de México, the Sala Pablo Ruiz Picasso del Museo de Arte Moderno de Madrid, and the New York Public Library owns a full collection. Her poems have also appeared in the art books of leading painters such as Juan Soriano, Magali Lara, Othón Tellez and Philip Hughes, whose book with Boullosa, Jump of the Manta Ray, was a 2003 British Book Design Award finalist.

With Salman Rushdie, Boullosa co-founded the Mexico City House for Persecuted Writers at Mexico City, and together with Rushdie and Distinguished Professor of History Mike Wallace, she has been exploring the possibility of a similar operation being established on Governor’s Island.

Boullosa has also had a distinguished teaching career – holding visiting appointments at San Diego State, Georgetown, La Sorbonne (Alfonso Reyes Chair) – and has lectured at Brown, Princeton, Irvine, UCLA, and institutions in England (Trinity College at Oxford), Germany, Austria, France, Spain, Argentina, Ecuador, Venezuela, Colombia, and elsewhere.

In 2001, she came to New York as a fellow of the New York Public Library’s Center for Scholars and Writers, and decided to spend more time in the city. In 2002-2003 she was Visiting Professor at NYU (holding the Andrés Bello Chair). During 2003-2004 she was Visiting Professor at Columbia. From 2004 to 2011, she was a Distinguished Lecturer at City College, CUNY.

Since 2005, she has co-hosted the CUNY-T.V. the NY EMMY award winner Nueva York, in which she interviews major Spanish-speaking writers, artists and intellectuals.

In 2007 she co-founded Café Nueva York, a group of writers who work in Spanish and live in New York, dedicated to reclaiming the forgotten legacy of their forebears who also wrote in Spanish and lived in New York. She was a consultant to Nueva York, a major exhibition to be mounted by the New York Historical Society, on the 400-year history of New York’s relations with the Spanish-speaking world. Carmen´s newest novel is El libro de Ana (Ana´s book) to be published in Spanish by Alfaguara (LATAM) and Siruela (Spain).

http://boullosa.webfactional.com/

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Texas

Deep Vellum, 2014

Original Spanish publication by Alfaguara, 2013.

Loosely based on the little-known 1859 Mexican invasion to the United States, known as the Cortina Troubles, Carmen Boullosa’s newest novel Texas is a richly imagined evocation of the volatile Tex-Mex borderland, wrested from Mexico in 1848. Boullosa views the border history through distinctly Mexican eyes, and her sympathetic portrayal of each of her wildly diverse characters — Mexican ranchers and Texas Rangers, Comanches and cowboys, German socialists and runaway slaves, Southern belles and dance hall girls — makes her storytelling tremendously powerful and absorbing. With the Mexican-American border such a front-burner concern today, this novel that brilliantly illuminates its historical landscape is especially welcome. Texas is Boullosa’s fourth novel to appear in English.